Gian Lorenzo Bernini (also spelled Gianlorenzo or Giovanni Lorenzo) (Naples, 7 December 1598 – Rome, 28 November 1680) was an Italian artist and a prominent architect who worked principally in Rome. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture. In addition, he painted, wrote plays, and designed metalwork and stage sets.
A student of classical sculpture, Bernini possessed the ability to capture, in marble, the essence of a narrative moment with a dramatic naturalistic realism which was almost shocking. This ensured that he effectively became the successor of Michelangelo, far outshining other sculptors of his generationi. His talent extended beyond the confines of his sculpture to consideration of the setting in which it would be situated; his ability to synthesize sculpture, painting and architecture into a coherent conceptual and visual whole has been termed by the art historian Irving Lavin the "unity of the visual arts". A deeply religious man, Bernini used light as an important metaphorical device in the perception of his religious settings, often using hidden light sources that could intensify the focus of religious worship, or enhance the dramatic moment of a sculptural narrative.
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